Selection you can act on
Submitted picks arrive as a named, timestamped list of filenames in your dashboard — copy them straight into Lightroom rather than reverse-engineering a description.
Portrait & family photographers
Portrait work lives or dies on the selection step. The session was an hour; the back-and-forth about which twelve frames go in the order takes two weeks. GalleryLink delivers the session from your Drive folder and gives clients a favorites flow with a target count, so what comes back is a submitted list of filenames instead of a thread that says "the third one where she's laughing".
Export the culled session into its Drive folder and publish it. Use the Grid layout for headshots and contact-sheet proofing, or masonry when the session mixes verticals and horizontals.
Set the number their package includes — say twelve. The client hearts as they browse, sees their count against the target, and submits a final set with their name attached.
Drop the retouched files into the same folder (or a Finals subfolder) and they appear in the gallery the client already has. One link across the whole job.
No accounts, so the link works for parents, grandparents, and whoever else the client forwards it to. Turn downloads off if the package is prints-only.
Submitted picks arrive as a named, timestamped list of filenames in your dashboard — copy them straight into Lightroom rather than reverse-engineering a description.
Clients are identified by an anonymous per-browser id, so hearting works instantly with no account. The barrier that makes proofing galleries go unfinished simply isn't there.
Switch downloads off and the gallery becomes browse-only: clients can still see everything full-screen, but the originals stay with you until the order is paid.
Because the files are in your Drive, last year's family session costs nothing to keep up — and returning clients are most of a portrait business.
Pro gives you yourname.gallerylink.live listing the galleries you choose to feature, so a family that shoots with you every year lands on one branded address.
The free plan publishes one live gallery — enough to try this on a real job. Pro is $5/mo or $50/yr for unlimited galleries, password protection, every theme and layout, and your own studio subdomain. Your photos stay in your Google Drive either way, so nothing here is priced by storage.
See full pricing →Enable album selection on the gallery and set a target count. Clients heart the frames they want while they browse, then submit a final set with their name and an optional note. You get the exact filenames in your dashboard, so nothing has to be matched up by description.
No. Favorites are stored against an anonymous per-browser id, so a client can start hearting the moment the gallery opens. Nothing to sign up for, nothing to verify.
Yes — turn off downloads on the gallery. The photos are still fully browsable in the lightbox, but the download button is hidden, which suits packages where prints are the product.
Use the same folder. Add the retouched files (a Finals subfolder becomes its own scene) and the gallery the client already has updates itself — no second link, no second email.
Gallery slugs are random and unguessable, client galleries are excluded from search indexing, and a Pro password adds a second layer. For sensitive work, use the password and leave downloads off until the client asks.
Paste a Google Drive folder link and share a beautiful gallery — free to start, no credit card.
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